Jintanakaan Pen Khrueang-Jon Khong Kan-An Gammalod
Muea an, jit-jai khong chao-ngaa khuab-khum kamlong, siang, lae raai-la-iat arom.
AI Erotica - 2026-03-07
Kan-an gammalod mai-chai kan-thod-rahan thi rap-roo. Man pen kan-samong tee-pluk. Thuk-baap khid-hai phu-an sadeng fak nung: na, siang, jang-waa, pheun-phu, hai-hang, khwaam-ngiap, naai-khwaam. Mai muen-kan kap media ta-ruup thi klong-tua, tua-plit nee mai-thuuk luak-luan-naa doy phuu-phalit; phuakkhao thuuk riam-phan nai rabob roo-jak lae arom thi pen tua-eng khong phu-an.
Nan-khue het-phon thi song khon samat an yan dio-kan lae parob fak-song thi taek-taang ya-thoe-song. Khwaam-khabkhua hai sang-khaan, tae jintanakaan hai kaan-lac. Nai suang gammalod, kaan-lac ni ban-roi song-tong kap khwaam-ni-yom suan-tua dai dii-kwaa phaan sing samong tee-pluk thoa-pai.
Ngaan-wisai thi-khat-luak:
- Green, M.C. & Brock, T.C. (2000). Narrative transportation.
- Mar, R.A. & Oatley, K. (2008). The function of fiction.
- Oatley, K. (2016). Fiction as simulation of social worlds.
ຮູບພາບທາງຈິດໃຈທີ່ຜະລິດດ້ວຍຕົນເອງມີຜົນກະທົບທາງອາລົມທີ່ເຂັ້ມແຂງກວ່າຮູບທີ່ສະໜອງຈາກພາຍນອກ. ນີ້ເປັນການຄົ້ນພົບຊ້ຳໄດ້ຈາກການຄົ້ນຄ້ວາທົດລອງ — Kosslyn, S.M. et al. (2001).